Friday, April 17, 2009

film people wisdom

So, I went to the UMEC Film Industry panel a couple of nights ago. Everyone on the panel went to UMichigan, or was at least from the state of Michigan. Go blue, fellow Wolverines! Below are my notes from the evening.

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Scott Aversano: my personal favorite. I'm always a sucker for people with brains, wackiness, and optimism, plus at one point in his life he was pursuing a PhD in English. Total coolness.

What he said:
Orthodoxies of job paths no longer exist, find your own way.

"I feel like I can invent my job tomorrow." Seems by far the most optimistic of everyone on the panel about current opportunities for getting your creative voice heard today, also has faith that most people in the industry negotiate in such a way as to preserve constructive, mutually beneficial relationships. Bob Shaye pounced on this (see Bob Shaye, below).

"Bidding wars are where personal relationships go to die."

On State of Play: "We were negotiating in dollars, they were negotiating in pounds." Tried to get the rights to the show before WB did, only to have Universal scoop them after the wrong-denomination debacle.

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Peter Benedek: sounds like he's seen it all and has maintained steady nerves/equilibrium nonetheless. Vaguely reminds me of my orthodontist.

What he said:
started a boutique talent agency back when such an approach could still work. Business too global now to try.

Start working in the mail room, it really works.

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Jon Glickman: surprisingly low-key for such a sleek-looking exec, maybe it's because he's from the Midwest. Looks sort of like my brother. Only guy on the dais not wearing glasses.

What he said:
accost people in elevators, CONSTANTLY pitch.

The guys who pitched Shanghai Noon had never had a successful pitch before. Since this was their first, they only received $98,000 or so. "Then they landed a TV show called 'Smallville' and became zillionaires and now they've lost my phone number!"

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Adam Herz: sweet writer-type; doesn't look like the sort of guy who could invent American Pie, which makes the truth so much more magnificent. Appears untouched by stereotypical Hollywood ugliness, surprisingly non-cynical.

What he said:
passion really does matter. Selling out first not necessarily so terrible -- can fund passion projects later. Had not realized that the landscape of the film industry is currently so dire.

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Rick Olshansky: quieter guy. I get the sense he's never held a camera in his life, but probably has attended more meetings than you can shake a stick at.

What he said:
when trying to get work in the industry, just plug yourself in (as a temp, PA, etc.); when you're around the business, you get absorbed into it.

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David Paymer: instantly recognizable. Seems to be on the quieter side of really warm/easygoing.

What he said:
always have something to fall back on. Double-majored in theatre and psychology. Currently acts AND directs. "Like I said, always have something to fall back on!"

Mentioned precipitous drop in actor salaries. Always asks for his mid-1990s salary; "after the laughter dies down, we negotiate." Salary roughly half what it used to be.

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Bob Shaye: looks like he's spent his whole life in the sun, taming wild horses with his bare hands. Rather grim about the topics discussed.

What he said:
very cynical about film-industry ethics. When Aversano talked about good relationships being at the core of negotiating, Shaye delivered a very cynical smackdown, said this has NEVER been his experience.

Don't insist on salaries, don't negotiate, just get your foot in the door.

Movies just being movies apparently no longer enough; Village Roadshow is extending the theatrical experience to be more like a dinner show.

"How much time are you going to spend in front of a TV or computer? Instead of watching your life, go live it. . . . There's going to be a humanity rebellion of some sort." Lots of laughter and applause at this one, both in the audience and on the dais.

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All in all, not a bad evening. Next time I hope to see some female panelists, though. Some arm wrestling over The Future of Cinema might not be so bad, either.

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